Home » Classical Film Violence: Designing and Regulating Brutality in Hollywood Cinema, 1930-1968 by Stephen Prince
Classical Film Violence: Designing and Regulating Brutality in Hollywood Cinema, 1930-1968 Stephen Prince

Classical Film Violence: Designing and Regulating Brutality in Hollywood Cinema, 1930-1968

Stephen Prince

Published October 1st 2003
ISBN :
Kindle Edition
342 pages
Enter the sum

 About the Book 

Stephen Prince has written the first book to examine the interplay between the aesthetics and the censorship of violence in classic Hollywood films from 1930 to 1968, the era of the Production Code, when filmmakers were required to have their scriptsMoreStephen Prince has written the first book to examine the interplay between the aesthetics and the censorship of violence in classic Hollywood films from 1930 to 1968, the era of the Production Code, when filmmakers were required to have their scripts approved before they could start production. He explains how Hollywoods filmmakers designed violence in response to the regulations of the Production Code and regional censors. Graphic violence in todays movies actually has its roots in these early films. Hollywoods filmmakers were drawn to violent scenes and pushed the envelope of what they could depict by manipulating the Production Code Administration (PCA). Prince shows that many choices about camera position, editing, and blocking of the action and sound were functional responses by filmmakers to regulatory constraints, necessary for approval from the PCA and then in surviving scrutiny by state and municipal censor boards.This book is the first stylistic history of American screen violence that is grounded in industry documentation. Using PCA files, Prince traces the negotiations over violence carried out by filmmakers and officials and shows how the outcome left its traces on picture and sound in the films.Almost everything revealed by this research is contrary to what most have believed about Hollywood and film violence. With chapters such as Throwing the Extra Punch and Cruelty, Sadism, and the Horror Film, this book will become the defining work on classical film violence and its connection to the graphic mayhem of todays movies.